I started applying glazes to the test pieces and the method I used was brushes and different sized brushes to create different effects. I felt a bit like painting but didn't really know what the final result would be, which was exciting. I used 3 or more glazes on one test piece and some were overlapping and some were not. The aim was to maximise the uncertainty.
A comparison, on the left, of the effect of the degree of bending on the flow of the glaze.
-Curved edges for versatility of glaze flow
The effect of 4-5 glazes applied together is tried on the right.
-Multiple glazes together have great potential, but how to improve the effect of mixing
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